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Etruscan Religion Long before the Romans, the Etruscans had evolved a sophisticated
anthropomorphic pantheon of deities, presided over by Tinia who employed three
kinds of lightening as his special power. The iconography of those gods was
influenced by Greek art and sculpture, as can be seen from some surviving
statues at the shrine of Piazza d'Armi at Veii, but the theology was probably
always purely Etruscan. Livy said that the Etruscans were more religious than any other people. It is difficult to give much meaning to such a statement but ritual was certainly important and the remains of sanctuaries show that the Etruscans sought divine help for their daily needs. They created a pantheon of gods drawn from many sources, some local, some Greek. (Two thirds of the Olympian gods have an Etruscan equivalent) Each god had his or her own place in the sky, and an understanding of the pleasure or displeasure of the gods could be gained from watching the flight of birds, flashes of lightning or any other unusual event. The augurs, responsible for interpreting the signs, would then prescribe the correct rituals for their appeasement. The augurs would carry out their duties standing within a sacred area set apart on high ground. (The area was known to the Romans as a templum, the origin of the word 'temple') Perhaps as early as 600 BCE the Etruscans built temples immediately behind the sacred area. The model is the Greek temple but the emphasis is on a highly decorated facade and an entrance only at the front. The podium on which the temple rested is much higher than in Greece and the augur may have stood on its edge to make his divinations. This model was the one adopted by the Romans most notably in the great temple to Jupiter, Juno and Minerva on Capitoline HIll begun in the late sixth century when an Etruscan 'king' still ruled Rome. The Romans drew heavily on Etruscan beliefs, and the rules of divination, the disciplina, were carefully preserved by them.
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